Hand Embroidery

A sacred art

Since its inception in 1874, Watts & Co. has been a steadfast presence in the realm of ecclesiastical hand embroidery, embodying a commitment to the craft that spans centuries. In the 1950s when interest in embroidery had largely waned, much of the exquisite work was being discarded. Recognising the importance of preserving this tradition, Elizabeth Hoare, then the managing director of the firm, made it her mission to preserve as much of the work as she could. Today Watts continues to uphold this commitment to traditional embroidery, as well as to developing new designs and approaches.

Below are some of the more popular embroidery techniques that we use in our bespoke designs.

Goldwork

Goldwork embroidery, also known as metal thread work, is one of the most luxurious forms of needlework. Its materials are metallic threads — often gold, silver, or gilt — couched down onto rich ground fabrics to create shimmering designs. In some early pieces the gold threads were stitched down in such a way as to form a dazzling background or surround to enhance the embroidery in the foreground. This technique was refined and honed between 1250–1350 in England and became known as Opus Anglicanum or English Work.

The origins of goldwork embroidery date back thousands of years, with early examples found in ancient Egypt, China, India, and Byzantium. By the Middle Ages, goldwork was widely used in Europe for vestments, royal garments, and ceremonial textiles, reserved for the divine and for royalty.

A labour-intensive technique, goldwork remains unrivalled for its brilliance, texture, and elegance.

Silk Shading

The basis of silk shading, also known as ‘painting with a needle’ or ‘thread painting’, is the use of the long and short stitch, a technique that is suited to producing delicately shaded images and motifs.

Minster Cope in Oyster 'Shrewsbury' with Green 'Bellini' Orphreys, Hood, and Morse and Pelican Embroidery - Watts & Co.

With a long and illustrious history, with examples dating back thousands of years, the technique as we know it today was most likely first practised in China. Its popularity spread throughout Europe and in England it was used in Opus Anglicanum, particularly for depicting faces and animals. Considerable skill was required to master the technique and the training for men and women took several years.

The long and short stitch is found in other embroidery techniques, but silk shading relies solely on this stitch. With the growing availability of silk yarns, particularly with trading opening up from the 17th century, silk shading started to be found in secular clothing.

Today it remains as popular as ever, and is prized in ecclesiastical garments and church hangings for its delicacy, versatility, and timelessness.

Appliqué

Appliqué is the technique of cutting out small pieces of fabric (or slips) and attaching them to a larger piece of fabric. It is an ancient form of textile embellishment which dates from at least the 3rd century AD.

The term comes from the French verb appliquer, ‘to apply’. The slips are attached to the ground fabric by folding the edges under to form a hem or the cut edges are stitched directly. The slips are thus held in place and the edges can then be covered by other more decorative stitches.

Appliqué is an important technique which beautifully complements embroidery and can be used for extra embellishment and coverage of larger areas. It is an effective way to add texture, colour and pattern to designs.

A combination of appliqué, silk shading, and Japanese gold thread

Layers of Japanese gold thread and silk shading, bordered with cord

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Any project, large or small, begins with a conversation with our wonderful team. Whether you're ready with a design or you just have a few questions, get in touch to discover beautiful, handcrafted vestments.